![]() ![]() Luckily, we have a range of powerful and inexpensive (or free) color correctors at our disposal that can make easy work of minor variations in color and grey scale from scene to scene. ![]() The communication of genre is a filmmaker and shooter’s primary responsibility, and so proper grading, color-correction, and LUT management on set are critical to achieving our storytelling goals.ĭue to the increased power and capabilities of today’s cameras, virtually every production requires some degree of grading and color-correction. Deliberate overexposure, say, by blowing out windows and highlights, can contribute to a sci-fi ethereal look, while deliberate underexposure, by lowering the black level and deepening the shadows, can add serious drama to an otherwise flat, lackluster scene. The look and feel of our images are critical to communicating the intended genre to our viewers. For Shooters, a Tactile Extension of How We Really Work ![]()
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